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William T. Wiley, 'Funk Artist' Who Spurned Convention, Dies at 83

William T. Wiley, ‘Funk Artist’ Who Spurned Convention, Dies at 83 Rooted in the Bay Area, he disdained commerce (and the New York scene, mostly), produced an eclectic kind of figurative art and imparted his “Wiz-dumb” to disciples. William T. Wiley loaded up his art as if it were his scrapbook, depicting figures, landscapes, perhaps images of nuclear reactors and the despoliation of the natural environment.Credit.William T. Wiley/Hosfelt Gallery By Deborah Solomon Published May 5, 2021Updated May 18, 2021 William T. Wiley, the influential artist and educator who helped found the funk art movement and establish the San Francisco Bay Area art scene as an unfiltered alternative to what he saw as the flagrant commercialism of New York, died on April 25 in a hospital in Greenbrae, Calif. He was 83.

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Dan Nadel on Philip Guston's Jewishness - Artforum International

Dan Nadel on Philip Guston’s Jewishness Philip Guston, If This Be Not I, 1945, oil on canvas, 42 1/4 × 55 1/4 . © The Estate of Philip Guston. TO BE A JEW in twentieth-century America was to be an outsider. We Jews gathered in temples and schools, we bought properties, physical and intellectual, to maintain control of our environments. We formed our own magazines. We exploited ourselves and others. Ashkenazi Jews can pass as non-Jewish when it suits us, or Jewish again when we wish to be “chosen.” And when blame is to be assigned, or walls erected, we can once again pass or not pass depending on the ideological needs of the times. The tension inherent in assimilation and rejection, donning and discarding a mask, is at the center of Philip (Goldstein) Guston’s work. It also accounts for some of the resentment, bitterness, and neuroticism embedded in so much twentieth-century art and entertainment. Guston lives in this tradition wi

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Adrian Cheng and SO-IL launch K11 arts centre

Revolutionary glass façade wraps around Hong Kong’s K11 Art & Cultural Centre Revolutionary glass façade wraps around Hong Kong’s K11 Art & Cultural Centre Explore the new undulating installation at the architecturally intriguing K11 Art & Cultural Centre in Hong Kong’s Victoria Dockside The new art museum, located on the sixth and seventh floors of cultural-retail complex K11 Musea, features a striking façade, comprising more than 300 glass tubes Adrian Cheng was a child when he first visited IM Pei’s revolutionary glass and metal pyramid at the Louvre. It was, he says, his first experience of architecture that ‘activates the soul’. ‘I remember being mesmerised by the architectural purity of the pyramid architecture and the daring juxtaposition of old and new,’ Cheng recalls. The founder of artisanal-focused lifestyle brand K11, and CEO of Hong Kong-based New World Development, Cheng has been the creative driving force behind K11 Musea, a groundbreaking art-r

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