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The crowning glory is Swift’s version of I Contain Multitudes, from Dylan’s new album Rough and Rowdy Ways. “It’s a love song, and a prayer,” she said of the song. “And it’s about his life, but it’s also about what art and music and literature can mean to humanity. And to me that’s an extraordinary thing to meditate on, particularly when our social interactions are so limited.” All of the above could be said of Blonde on the Tracks itself.
– Andrew Stafford
The Avalanches – We Will Always Love You
We Will Always Love You is a miraculous-sounding record, infatuated with the universe and the infinite nature of energy, light and – especially – sounds that echo in the void for eons. Sample-based music is inherently tactile; artists like the Avalanches pick up and tool around with old vinyl that’s traded hands before. And on this record, they’ve leaned into that tactility and the sensoriality of music, turning images into sound and back again (Star Song
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The 30 best albums to come out of Melbourne in 2020, part two Gordon Koang and Hachiku
We spotlight the second 15 albums of the two-part feature, ranked in no particular order.
Here we go with part two of our feature spotlighting the 30 best albums to come out of Melbourne in 2020. Part one of the piece shined a light on stellar records from Andras, Sweet Whirl, Vintage Crop, RVG, Simona Castricum, Silentjay and more.
While 2020 has been an absolute fiasco, music lovers have had their ear to the ground more than ever, looking for releases that catch their ear or strike a chord with the difficulty and annoyance that has underlined the last nine months.
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