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Artpace debuts International Artists-In-Residence exhibitions in first in-person opening since 2020
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Artpace Welcomes Guests Back to the Galleries with New Artist-in-Residence Exhibitions
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The year was 1969. It was a time of social protest over civil rights and representation issues. Those protests echoed at UCLA, where Mexican American students were demanding improved access to higher education, as well as greater resources devoted to the study of the Mexican experience in the U.S.
Enter the university’s Mexican American Cultural Center, which was established to support research in what was then the new field of Chicano studies. In the 52 years since, that center now known as the Chicano Studies Research Center (CSRC) has grown from a small student- and faculty-led initiative to a full-blown academic center, supporting original research and publications, the maintenance of archival collections and a library.
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The weekend is young, and I’m feeling partial to patty melts and Bloody Marys (with gobs of horseradish,
por please). I’m
Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, with the week’s essential culture news and chihuahua imitators.
Our cartoon avatars
The
cartoon is endlessly malleable, able to serve as a staple of children’s programming even as it questions gender norms (e.g. Bugs Bunny) or functions as a proponent of U.S. foreign policy (may I introduce you to U.S. soft power ambassador Donald Duck?).
Artist
Paul Pescador is interested in cartoons for those reasons but for many others, too: their saturated color, their emotionality cartoons are pure melodrama and their ability to render bodies in inventive ways. “There is no more abstract version of the body than the cartoon,” says Pescador. “You shift a pencil line and you make something more curved, and you make it more feminine. It can make this remarkable c
A Peek Into an Artist s Mind
Developmental pieces in the archive from concept sketch to blueprint to final coloration pull the curtain back to show how art is made and offers a glimpse into the working mind of an artist. A series of sketches, blueprints and a colorized draft for The Great Wall of Los Angeles 1950: Forebearers of Civil Rights panel show the piece s evolution how Baca went from a tangle of intersecting diagonal lines to a vibrant mural depicting prominent civil rights leaders and activists like Paul Robeson, Rosa Parks, Gwendolyn Brooks, Ralph Bunche and Martin Luther King, Jr. rising from their bus seats and moving forward for new destinations.
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