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Monkey House Cider: New company wins clutch of awards
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Juxtapoz Magazine - Richard Mock: The Cutting Edge @ Kentler International Drawing Space, Brooklyn
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Chris Thile presents a truly solo album,
Laysongs, on which his voice and mandolin are the sole contributors. Released by Nonesuch Records, the album contains six originals, including “Salt (in the Wounds) of the Earth,” a three-part suite inspired by C.S. Lewis’
The Screwtape Letters, and three covers and was co-produced by Thile’s wife, Claire Coffee. “[Coffee] has incredible taste and narrative intuition,” Thile said. “She was able to help me weave the original and non-original material together.” Engineer Jody Elff recorded
Laysongs with Thile at Future-Past, a recording studio in Upstate New York built inside an old church. The album’s content was informed by Thile’s Christian upbringing, spurred by Nonesuch’s Chairman Emeritus Bob Hurwitz, who told Thile he, “should do a God-themed record of some kind, it’s all over [Thile’s] work.”
Article Contributed by The Royal Pota… | Published on Thursday, May 6, 2021
Like most musicians in 2020, Reed Mathis found himself with time on his hands being that all of his tours and session work had been cancelled for the foreseeable future. Never one to idle, Reed turned attention to his archives, dusting off countless hours of audio from
Jacob Fred Jazz Odyssey, the Tulsa, OK-based band that he helped found and performed with for nearly 15 years. First and foremost, among his discoveries was Winterwood Mathis final studio recording with JFJO. The album was never officially released seeing as he departed the band shortly after its completion in 2008. And so, the downtime gave Mathis the impetus to remix the sessions, which had been lying dormant for 12 years. In addition, Reed combed through countless hours of JFJO live recordings, compiling four new live albums from what many fans consider the band s golden years: 2005-2008. Once completed, Mathis would enlist
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