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Rangers title celebrations: Police test positive for Covid-19 after policing party
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TWO teenage rebels don a clown and a werewolf mask, arm themselves with a circus hooter spray gun and whizz around the Southern Highlands on a little Japanese motorcycle. Like modern-day Highwaymen – think 1980s Yoppers meets two plookey Robin Hoods – Will and Ronnie (Vince Friell and Joe Mullaney) proceed to rob tourist buses, sharing the spoils with the poor and the needy – and their wee sister’s pals. Daft film premise, eh? Then how come Restless Natives has not only been screened recently on BBC iPlayer, it’s also been released for streaming by StudioCanal. And, pandemic permitting, there are plans afoot to turn the 1985 comedy into a musical theatre show, the music backdrop being the songs of iconic Scots rockers Big Country.
Bronx Irish Catholic By Peter Quinn, Contributor
In the 1950s, the Bronx was a melting pot of immigrants and first-generation families: Jewish, Italian, and Irish alike. Peter Quinn shares his story of what it was like to be a Bronx Irish Catholic, commonly referred to as a B.I.C.
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“Breathes there the man, with soul so dead, / Who never to himself hath said, / This is my own, my native land! / Whose heart hath ne’er within him burn’d, / As home his footsteps he hath turn’d…”
– Sir Walter Scott
Native land means different things to different people. To some it’s a nation with well-defined borders, like France or Sweden; to others, it transcends borders, à la Ireland or Korea. For many, I think, the term native land invokes something more intimate and parochial: a patch of earth that, no matter where life takes us, stays synonymous with home. For me, that place is the Bronx of the ’50s and ’60s, a lower-middle- / middle-middle-class agglomeration o
Best of 2020: Classical music concerts | reviews, news & interviews Best of 2020: Classical music concerts
Best of 2020: Classical music concerts
Heroic smaller enterprises have kept music live under unpromising circumstances
by David NiceMonday, 28 December 2020
Steven Isserlis on the first day of the Fidelio Orchestra Cafe concerts, 8 JulyNick Rutter
No picture of a musician tells more of a story about 2020 than the above image of cellist Steven Isserlis, stepping out on 8 July to play, what else but Bach, to his first live – albeit small – audience in just under four months.
No picture of a musician tells more of a story about 2020 than the above image of cellist Steven Isserlis, stepping out on 8 July to play, what else but Bach, to his first live – albeit small – audience in just under four months. At that point it took a rare missionary to check out government guidelines on concert presentation and dare to bring back live music to London. The
Mayo Chamber president highlights importance of shopping local
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