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FKA twigs, Tyler Mitchell and More Curate New Photography Show for FARFETCH

FKA twigs, Tyler Mitchell and More Curate New Photography Show for FARFETCH
anothermag.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from anothermag.com Daily Mail and Mail on Sunday newspapers.

Magnum photographers on finding escape in image-making

Magnum photographers on finding escape in image-making
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Online exhibition explores themes of domesticity

Online exhibition explores themes of domesticity France, Neuilly-Plaisance, September 4, 2018, Agata © Bieke Depoorter / Magnum Photos. LONDON .-The Magnum Gallery is presenting “There’s no place like home” an exhibition which explores themes of domesticity, sheltering, interiority and the comfort of personal spaces and objects in difficult times. The exhibition is exclusively on view online from 19 May to 31 August 2021 and brings together works of Magnum photographers Antoine d’Agata, Raymond Depardon, Bieke Depoorter, Bruce Gilden, Harry Gruyaert, Gregory Halpern, Peter Marlow, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, and Alec Soth. Resonating with much of current human experience around the world, the exhibition reflects on the concept of home as a central place for solace and security which can promise hope and a more favourable future during complex, long and uncertain moments in life. “There’s no place like home” examines how personal

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   Abraham Bloemart s Moses Striking the Rock, a painting from 1596 now in its collection. The museum said it had investigated and did not find compelling evidence that Curt Glaser had been forced to sell the painting. Metropolitan Museum of Art via The New York Times. by Catherine Hickley (NYT NEWS SERVICE) .- The Nazi authorities removed Curt Glaser from his post as director of the Berlin State Art Library in April 1933 because he was Jewish. He was also evicted from his home and, the following month, sold most of his art collection at two auctions. Since 2007, 13 private collectors or institutions — including the Dutch Restitutions Committee, the Prussian Cultural Heritage Foundation in Berlin, the Museum Ludwig in Cologne and the city of Basel — have concluded that Glaser sold his collection in May 1933 as a result of Nazi persecution, and agreed to either return or pay some compensation to his heirs for art he sold that wound up in th

Pandemic Fog Is Real

Late-Stage Pandemic Is Messing With Your Brain Ellen Cushing I first became aware that I was losing my mind in late December. It was a Friday night, the start of my 40-somethingth pandemic weekend: Hours and hours with no work to distract me, and outside temperatures prohibitive of anything other than staying in. I couldn’t for the life of me figure out how to fill the time. “What did I used to … do on weekends?” I asked my boyfriend, like a soap-opera amnesiac. He couldn’t really remember either. Since then, I can’t stop noticing all the things I’m forgetting. Sometimes I grasp at a word or a name. Sometimes I walk into the kitchen and find myself bewildered as to why I am there. (At one point during the writing of this article, I absentmindedly cleaned my glasses with nail-polish remover.) Other times, the forgetting feels like someone is taking a chisel to the bedrock of my brain, prying everything loose. I’ve started keeping a list of questions

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