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Rupert Neve, the Father of Modern Studio Recording, Dies at 94

Rupert Neve, the Father of Modern Studio Recording, Dies at 94 His equipment became the industry standard and influenced the sound of groups like Nirvana, Fleetwood Mac, the Grateful Dead, Santana, Chicago and the Who. Rupert Neve in 2009 at a mixing console at the Magic Shop recording studio in New York City. His revolutionary consoles like the Neve 8028 (not shown here) had a huge impact on the music industry.Credit.Joshua Thomas Published Feb. 19, 2021Updated Feb. 21, 2021 When the Seattle grunge band Nirvana recorded their breakthrough album, “Nevermind,” at Sound City Studios in Van Nuys, Calif., in 1991, they used a massive mixing console created by a British engineer named Rupert Neve.

Rupert Neve, the father of modern studio recording, dies at 94

Rupert Neve, the father of modern studio recording, dies at 94
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Legendary audio equipment engineer Rupert Neve dies

Grammy-winning engineer and legendary audio equipment designer Rupert Neve has died at the age of 94. His legacy as one of the most important and influential studio and recording equipment designers cannot be overstated. Tributes have flooded in from the wider music industry including from Above & Beyond, El-P, engineer Alex Tumay, The 1975, Paul Epworth, Daddy Kev, Nigel Godrich, Abbey Road Studios and many more.  He designed the first-ever transistor-based EQ, followed by the first transistor-based console, installed in Phillips Studios in London in 1964. Up until that point, consoles were powered with vacuum tubes – or valves – rather than transistors. Neve’s design offered a new sound and stability. He was then commissioned by Wessex Sound Studio to create the first 24-channel console in London, which equipped his now-classic 1073 mic pre and EQ channel strips. Those 1073 strips are possibly Neve’s greatest legacy, still sought-after today in hardware form and modelle

Rupert Neve, Legendary Audio Equipment Inventor, Dies at 94

How Tinsel became the most important TV show in Nigeria

​For those of us who grew up in the 90s, a huge part of our childhood years were spent watching the Nigeria Television Authority (NTA). I still remember how I would wait in front of the television set for 4 p.m. so that I would be greeted by colour bars, which was how television stations signalled their daily arrival on my father’s Sanyo set then. These bars would, minutes later, transition into the national anthem and at that time I would know that it was time to enjoy my favourite shows. I still remember my fascination with foreign soap operas like

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