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BACKWARD GLANCE: Olympic Games - Flame of Hope for all Nations

Sunshine Coast Council As we barrack for the Australian team at the 2021 Tokyo Olympic Games, this Backward Glance commemorates our sporting nation and the sporting heroes who represent this great country we live in. Edwin (Teddy) Flack was Australia’s first gold medallist, winning the 1500m and 800m at the 1896 Athens Games. Australia has competed at every summer Olympic Games since then and has hosted two summer games – Melbourne in 1956 and Sydney in 2000 and now has the won the hosting rights for Brisbane and South East Queensland in 2032. Did you know one of our early Yandina pioneers who came to Australia in 1915 was Otto Raisanen, a champion wrestler who represented Finland as a young man aged 16? He competed at two Olympic Games for Finland before migrating to Australia.

Undine Spragg s Life in Objects - The New York Times

Undine Spragg’s Life in Objects Undine Spragg’s Life in Objects Beauty, charm and luck all factor into the social ascent of Edith Wharton’s ambitious protagonist — but money, crucially, matters the most. Mrs. Sidney Smith, P. A. Clark, Mrs. James T. Burden, Stanford White, James Henry Smith, Norman Whitehouse, Mrs. Stuyvesant Fish and Sidney Smith (seated) at the 1905 James Hazen Hyde costume ball.Credit.Byron Company/The Museum of the City of New York/Art Resource, NY By Samuel Rutter This article is part of T’s to R.S.V.P. to a virtual conversation, led by Claire Messud, about “The Custom of the Country,” to be held on Jan. 28.

Exhibition explores the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi

Exhibition explores the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi Josef Albers, Study for Homage to the Square, 1973 © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York. Courtesy The Josef and Anni Albers Foundation and David Zwirner. NEW YORK, NY .-David Zwirner is presenting Albers and Morandi: Never Finished. On view at the gallery’s 537 West 20th Street location, the exhibition explores the formal and visual affinities and contrasts between two of the twentieth century’s greatest painters: Josef Albers (1888–1976) and Giorgio Morandi (1890–1964). Both Albers and Morandi are best known for their decades-long elaborations of singular motifs: from 1950 until his death in 1976, Albers employed his nested square format to experiment with endless chromatic combinations and perceptual effects, while Morandi, in his intimate still lifes and occasional landscapes, engaged viewers’ perceptual understanding a

The Age of Innocence at a Moment of Increased Appetite for Eating the Rich

Save this story for later. When she began writing “The Age of Innocence,” in September, 1919, Edith Wharton needed a best-seller. The economic ravages of the First World War had cut her annual income by about sixty per cent. She’d recently bought and begun to renovate a country house, Pavillon Colombe, in Saint-Brice-sous-Forêt, where she installed new black-and-white marble floors in the dining room, replaced a “humpy” lawn with seven acres of lavish gardens, built a water-lily pond, and expanded the potager, to name just a few additions. She was still paying rent at her apartment at 53 Rue de Varenne, in Paris—a grand flat festooned with carved-wood cherubs and ornate fireplaces. The costs added up.

Step inside Stefan Von Bartha s art-studded Basel home

Inside gallerist Stefan von Bartha’s art-filled Basel home Inside gallerist Stefan von Bartha’s art-filled Basel home Second-generation gallery owner Stefan von Bartha invites us (virtually) into his art-studded Basel home to reflect on an unconventional childhood, eclectic collection and building on 50 years of his family’s eponymous gallery Exterior view of von Bartha gallery in Basel, 2020. Photography: Ben Koechlin In Stefan von Bartha’s childhood, everything was about art, and very little was conventional. The second-generation owner of von Bartha gallery first graced the booths of Art Basel as a one-month-old baby. He began attending studio visits with his parents aged six, skipping school with a range of ‘wild’ excuses for why school had been ‘cancelled’. ‘I was always more interested in spending time with people, experiencing art and going to shows,’ he says over Zoom from Basel.

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