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The week in theatre: J Ouvert; Under Milk Wood; Happy Days – review | Theatre

Sun 27 Jun 2021 05.30 EDT It is an unlikely phenomenon in the West End. Women slamming their arguments against the fourth wall of a proscenium arch theatre as if it were a wall of death. Within the past two years, Six have supplied feminism in farthingales. Now J’Ouvert, the third play in producer Sonia Friedman’s Re:Emerge season at the Pinter, roars across the stage in Lycra and feathers and sequins, turquoise and pink and scarlet, bumping and grinding. It is greeted, even by a socially distanced, quelled-by-Covid-regs audience, with whoops and a stirring among the stalls: in other circumstances there would be dancing.

Michael Sheen shines in National Theatre s revival of Under Milk Wood

Michael Sheen shines in National Theatre s revival of Under Milk Wood
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Under Milk Wood Review: Michael Sheen Stars in a Tender but Fitful Reimagination of Dylan Thomas

Under Milk Wood Review: Michael Sheen Stars in a Tender but Fitful Reimagination of Dylan Thomas David Benedict, provided by FacebookTwitterEmail Running time: 1 hour 50 minutes Johan Persson “We are paying you to stay awake and care.” That sounds like an admonition to the audience at the National Theatre’s new production, “Under Milk Wood.” But in fact it’s sensible Susan Brown’s unnamed character’s line to a member of the junior staff of the care-home for the elderly at which she is a supervisor. He’s been asleep on the job again and she’s unhappy because it has meant poor Mr. Jenkins (beautifully bewildered Karl Johnson) has wandered from his room at night and found himself disoriented and scared in the darkened dayroom.

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