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Flashback: The Beatles Release Abbey Road
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The Beatles Debut Four More Let It Be Rarities
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Paul McCartney is remembering a moment he experienced after John Lennon died. When you go through your grieving, he told me once, and you just sort of think: What if he was here? What might we say? We might talk about when we met and, being John, he might say: Ah, f k off, because we were that kind of mates, and I d say to him, No, you f k off. It s like when you think of someone who s passed away, you get to see them again.
That night, he also talked to me about his late mother, Mary. She died when I was 14, he says. She was Irish but she was sort of posh-Liverpool. She grew up in the other capital of Ireland, Liverpool.
Credit: Sonny McCartney
The story of Paul McCartney‘s self-titled trilogy is that of legend these days. The first in the collection, ‘McCartney’, was recorded solo at home by the Beatle during the band’s turbulent final period, offering a lo-fi outlet and away from the spotlight. He’s since claimed that the then-rudimentary recording equipment (largely pieced together entirely by Macca on a four-track tape, with contributions from wife Linda) resulted in one of the first ever “indie” albums.
A decade later, a sequel followed. This time, ‘McCartney II’ was a freaky, out-there response to the arena-rock bombast of his next musical project, Wings. Holed up in his Sussex home he experimented with new song structures and synthesizers for an album that was largely scoffed at upon release, but contemporary revists hint at the direction that bedroom pop would end up taking today.
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