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John Wieners photographed in Detroit, Mich., in 1966. (Photo by Leni Sinclair / Getty Images)
During the last three decades of his life, the poet John Wieners lived in a one-bedroom walkup at 44 Joy Street, on the back side of Boston’s Beacon Hill. By some accounts it was a drab, minimalist apartment, furnished with wicker patio chairs and decorated with Wieners’s own collages of travel brochures and movie magazines. The refrigerator was empty and unplugged. After he won a fellowship from the National Endowment for the Arts in 1986, grocery bags of champagne lined the walls replaced, gradually, by the empty bottles.
INTRODUCTION
As I’ve learned from my own experiences in the classroom both as a student and as an instructor, poetry is so often taught badly to us in grade school (if at all). I am, to this day, learning how to undo the myth of poetry being the work of certainty a perfect command of a subject, experience, event proclaimed through verse. This is obviously a byproduct of the ways in which the Western canon is taught: the work of “great masters” whose genius we are trained to admire and respect. But my immersion in queer and disability writing has taught me the value of
Policing County Lines Authors:
Draws on unique ethnographic data
Analyses the policing styles, tactics and methods put in place to respond to County Lines
Theoretically considers ‘symbolic policing’ and the application of harm reduction principles to drugs policingsee more benefits
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The County Lines phenomenon has become one of the most significant drug market developments in the UK over recent years. This book analyses how it is being responded to by the police in affected provincial areas. Drawing on unique ethnographic fieldwork, it takes readers into police stations and out onto the streets with officers, providing timely insight into the policing of this high profile and challenging drug market context. The book considers the use of new police tactics that have been proposed