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Iconic Australian brands: Taking something disposable and making it collectable

The State Library Victoria recently released a video unveiling its collection of Redheads matchboxes dating back to 1940. While designs and hairstyles evolved over the years, a well-crafted brand managed to stay true. So what can marketers take from this historical lesson in branding?

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История бронежилетов: от кустарных доспехов австралийских бандитов до пуленепробиваемых костюмов «от кутюр»

How modernist queen Frances Burke kept wartime Australia looking fabulous

How modernist queen Frances Burke kept wartime Australia looking fabulous
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How modernist queen Frances Burke kept wartime Australia looking fabulous

How modernist queen Frances Burke kept wartime Australia looking fabulous We’re sorry, this service is currently unavailable. Please try again later. Dismiss By Janice Breen Burns Normal text size Credit:Argus Collection, The Age Archives Nanette Carter and Robyn Oswald-Jacobs would dearly love the subject of their book Frances Burke – Designer of Modern Textiles NOT to be remembered primarily as a fashion icon. “You’re not … it’s not going to be all about …” Oswald-Jacobs’ pleas are delicate, not to offend this fashion writer assigned to their story; “Not all about … fashion …?” Well no. But oh. It’s hard to flick quickly past what a crackingly fashionable character Burke was. What a thoroughly modern, elegantly gay, hats-and-pearls working woman of the 1930s, ’40s and ’50s. Her work was not only sought by the seminal young architects of the mid-century modern era but her lady clients were known to commission Burke’s tres chic fabrics for

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