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BalletX is dancing live again at the Mann, with captivating new work from three star choreographers
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Weekend highlights include screenings of The Birdcage, Antiques Extravaganza, comedy [Events roundup]
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Richard Villaverde BalletX has announced its return to live performances this summer with four outdoor shows scheduled between June 24-26 at the Mann in Fairmount Park. The performances will feature three world premiere works by choreographers
Hope Boykin, Matthew Neenan and Dwight Rhoden. Tickets begin at $35 and are on sale now. Hope Boykin, whose piece is called “IN The Distance,” describes her work as “a walk along the intertwining paths of our individual and collective abstract journeys. It is not where the journey ends, but simply another starting point, a place for us all to begin again.” It features an
The University of North Carolina at Chapel Hill
Registration for this event closes at 12 PM EDT on May 21.
Available on-demand for all ticketholders for 72 hours, beginning on May 21, 2021 at 7:30 PM EDT.
During the COVID-19 crisis, working artists have been integral to inspiring us, helping us process grief and uncertainty, and reminding us of the light at the end of the tunnel. Their power in this time represents a microcosm of the invaluable role they play in society.
On May 21, Carolina Performing Arts will digitally premiere three new dance works by trailblazing artists who have made an indelible impact on the CPA community:
Dance companies pirouette to streaming services
Anying Guo, The Washington Post
April 15, 2021
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1of5The English National Ballet in Akram Khan s Giselle. Laurent Liotardo/Marquee TVShow MoreShow Less
2of5Andile Ndlovu of the Washington Ballet during the filming of his piece Something Human, available on Marquee TV.XmbphotographyShow MoreShow Less
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Most of the performances we ve seen the past year have existed between the four corners of a laptop or a television screen. Live entertainment has been essentially nonexistent, arts organizations have taken pay cuts, venues are strapped for cash and some underfunded troupes may never recover. Yet somehow, despite the continued strain and strife, many dance companies have successfully adapted to the evolving digital stage - reimagining Nutcracker seasons, digitizing never-before-seen archival videos and launching their own streaming services.
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