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Staging Inherited Stories Literatures, Communities, and Learning: Conversations with Indigenous Writers by Aubrey Hanson If You Discover a Fire by Shaun Robinson Kailin Wright In Political Adaptation in Canadian Theatre, Kailin Wright develops a theoretical framework to identify the strategies, functions, and impacts of political adaptation in Canadian theatre, a form of expression that Wright positions as a “leading mode of storytelling and self-definition in Canada” (3). This book addresses work by a range of playwrights and one collective (Marc Lescarbot, Optative Theatrical Laboratories, Margaret Clarke, Djanet Sears, Margaret Atwood, Erin Shields, Monique Mojica, and Daniel David Moses) who politicize inherited source material through a process of disidentification—“the strategy of simultaneously identifying with and against a dominant ideology in order to change it from within.” By constructing an engaging “theoretical architecture” (3

Turtle islandUnited statesAlmighty voiceMargaret clarkeMarc lescarbotKathleen irwinKara reillySarena parmarMargaret atwoodDjanet searsMargaret clarke gertrudeKailin wrightAlan filewodMonique mojicaJesse rae archibaldJesse rae archibald baker