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To be sure, Partition itself was the product of a utopic plan enacting Enlightenment notions about the rational ordering of society. It promised to produce order out of a religiously and linguistically mixed society. It promised a homeland to those out-of-place in nationalist India.
Many who moved did so out of faith in this project, out of conviction, at times against the wishes of their families (most famously, Jinnah’s only daughter did not move). Indeed, the deliberate sacrifice of home and bonds was the price that made the result – participation in the creation of a new nation-state – all the more sacred. (See oral histories in Anam Zakaria,
IndiaPakistanJerusalemIsrael-generalIsraelUnited-statesUnited-kingdomJalandharPunjabUttar-pradeshRussiaSialkot Update: July, 25/2021 - 07:48 | Actors perform in 100 Năm Sân Khấu Cải Lương (A Hundred Years of Cải Lương Theatre), a drama project offering TV shows on cải lương launched by Thanh Điền. The project has received support from the HCM City Television and HCM City Theatre Association. Photo courtesy of HCM Television
By Thu Anh “I will work until my last breath to expand Vietnamese theatre among young people,” said Thanh Điền, theatre actor, director and producer in HCM City. Điền has had a 45-year-long career in
cải lương (reformed opera), a 100-year-old traditional theatre genre of the southern region.
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