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Doo wop sound returns to Sarasota in FST cabaret show The Wanderers

Doo wop sound returns to Sarasota in FST cabaret show The Wanderers
heraldtribune.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from heraldtribune.com Daily Mail and Mail on Sunday newspapers.

Catherine Zeta-Jones, 51, wows fans as she strips to bikini for hula hoop session

Catherine Zeta-Jones, 51, wows fans as she strips to bikini for hula hoop session
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Bandas Sonoras de Teleseries Chilenas, Parte II

Bandas Sonoras de Teleseries Chilenas, Parte II
chilecomparte.cl - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from chilecomparte.cl Daily Mail and Mail on Sunday newspapers.

Apples review – a poignant tale of global memory loss

Sun 9 May 2021 03.00 EDT This quietly satirical and unexpectedly moving debut feature from director and co-writer Christos Nikou, who cut his teeth as an assistant director on Dogtooth, was Greece’s entry for the international feature Oscar at the recent 93rd Academy Awards. A tale of epidemic memory loss, grief and possible new beginnings, it’s a deadpan tragicomedy that mixes the playful and the poignant in a manner as tasty as a spitter – the bittersweet apples treasured by cidermakers as the perfect fuel for fermentation. Straight-faced Aris Servetalis cuts a mournful figure, his physical presence invoking the joint spectres of Daniel Day-Lewis and Charlie Chaplin. As an outbreak of amnesia rolls across his homeland, his bewildered character, Aris, finds himself unable to remember his name, his occupation or his address. “It happened suddenly to him, like the others,” says the doctor who examines “Number 14842”, before placing him in a progr

Greek Film Apples Imagines a Pandemic of Amnesia

Strictly Ballroom’s triumphant finale to Mads Mikkelsen’s glorious turn in Another Round, dance has long been utilised by directors to execute their more cathartic scenes. In Christos Nikou’s Apples, the moment arrives one hour in. As Let’s Twist Again starts playing in an Athens bar, Aris (Aris Servetalis) slinks onto the dancefloor, his body moving in time to the music as one hand remains clasped around his drink. The scene, which was shot in a single take, provides Aris temporary respite from the film’s curious condition, while the track speaks to the feature’s ambiguous age. “In the script it was

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