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Print History: Jatindra Kumar Nayak - Print Culture in Odisha

Jatindra Kumar Nayak has played a prominent role in a variety of literary and educational institutions in the state of Odisha and his translations, essays and lectures have been instrumental in presenting Odia literature to the larger world. For the last four decades, he has been exploring the print culture of Odisha. In this free-wheeling conversation with Murali Ranganathan, Nayak talks about how he has engaged with print Jatindra Kumar Nayak How did your engagement with print get stimulated? My father, Kashinath Nayak, was a writer of textbooks and books for children and managed the printing press owned by the Primary Teachers’ Federation at Puri. I was fascinated by the work of compositors and printers at this press. My father also used to take me along to the offices of some of his publishers in Cuttack during Dussehra. As a student at Ravenshaw College, Cuttack in the 1970s, I was actively involved in the publication of

Louga : Décès de l ancien Ministre Amadou Bator DIOP

Louga : Décès de l ancien Ministre Amadou Bator DIOP
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The Last Civilian by R P Sand : Clarkesworld Magazine - Science Fiction & Fantasy

Science Fiction & Fantasy   You blink into existence, and the first thing you hear is: We are at war with the Uilai. The Uilai must be eliminated. Well, “hear” is an understatement, for the sentiment is injected through multiple channels: auditory, visual, synaptic. These words are your prime truth. You are carte blanche but for a moment; there’s an urgency to the stream of information swallowed by your neurons. The topology of the crashed-starship-turned-station, comprehension of the fur-feathered locals, the terrain of Uiloolea, your assignment your stream is that of Infantry, your expertise melee. And stances, strikes, and parries, from the upreared Cobra Clears the Veranda intimidation posture to the fluidic Falcon Feather Rides a Wind avoidance of blows.

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