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Sherlock Holmes: Chapter One Launches November 16 for PS5, Xbox Series X

Moonlight Writer Tarell Alvin McCraney On His TV Series David Makes Man

This is FRESH AIR. I m Terry Gross. The movie Moonlight, which won the Oscar for best picture in 2017, was adapted from a script by my guest, Tarell Alvin McCraney. He and the film s director, Barry Jenkins, won an Oscar for best adapted screenplay. McCraney is now the creator of the series David Makes Man, where he s also an executive producer and writer. It s in its second season on OWN, The Oprah Winfrey Network. Like Moonlight, it begins with a boy growing up in the projects in a Miami neighborhood who s neglected by his crack-addicted mother, which echoes McCraney s childhood. But in David Makes Man, the mother is able to get clean and stay sober. David is very smart and is one of two Black students in the gifted and talented class at his magnet school. He manages to get into prep school, where he s again one of the few Black students, and he s surrounded by students from families with money. The code-switching required, going back-and-forth from the projects to school

Moonlight Writer Tarell Alvin McCraney On His TV Series David Makes Man

Moonlight Writer Tarell Alvin McCraney On His TV Series David Makes Man
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Moonlight Writer Tarell Alvin McCraney On His TV Series David Makes Man

Moonlight Writer Tarell Alvin McCraney On His TV Series David Makes Man
spokanepublicradio.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from spokanepublicradio.org Daily Mail and Mail on Sunday newspapers.

With every new story, director Barry Jenkins argues for hope

With every new story, director Barry Jenkins argues for hope The director of Moonlight and The Underground Railroad keeps reaching for connection Photo: Amazon Studios At first glance, the epic 10-hour series The Underground Railroad seems to operate counter to filmmaker Barry Jenkins’ hope-inducing repertoire. Nobody puts Black love on the screen the way Jenkins does, and that’s because the Best Picture-winning filmmaker loves every facet of Blackness, from the luminescent beauty of Black skin to the therapeutic joys Black folks find in each other. But what beauty exists in a slave narrative? What joy? The Underground Railroad appears antithetical to the hallmarks of Jenkins’ past works.

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