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The birth of auto-destructive art and how Gustav Metzger s early works lay hidden in his auntie s attic for decades

The birth of auto-destructive art and how Gustav Metzger s early works lay hidden in his auntie s attic for decades
theartnewspaper.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theartnewspaper.com Daily Mail and Mail on Sunday newspapers.

cesar legaspi famous works

cesar legaspi famous works
hicarquitectura.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from hicarquitectura.com Daily Mail and Mail on Sunday newspapers.

Southbank Centre Welcomes Audiences Back With Summer Reunion Programme

Southbank Centre Welcomes Audiences Back With Summer Reunion Programme The packed programme features ballet, classical music, contemporary music, literature, poetry and visual art.by BWW News Desk The Southbank Centre today announces a four-month reopening programme, Summer Reunion - providing opportunities for people to reconnect, reunite and enjoy a colourful, joyful celebration of art, culture and entertainment. The packed programme features ballet, classical music, contemporary music, literature, poetry and visual art. The reopening of the Southbank Centre and Summer Reunion programme is made possible thanks to the repayable loan from the government s Culture Recovery Fund. On 30 April the popular weekly street food market returns, alongside riverside pop-ups. The Hayward Gallery welcomes visitors back on Wednesday 19 May with free weekend entertainment outside the Royal Festival Hall from Friday 21 - 23 May. The Royal Festival Hall will reopen on Friday 28 May with socially

L Officiel Philippines: On fashion and fandom in the digital age

L Officiel Philippines: On fashion and fandom in the digital age
cnnphilippines.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cnnphilippines.com Daily Mail and Mail on Sunday newspapers.

Artforum International

Guy Brett mailing Signals Newsbulletin in London, 1964. Photo: © Clay Perry/England & Co. AT A 2008 TATE MUSEUM TALK on Chilean artist Eugenio Dittborn, Guy Brett recalled a studio visit during which Dittborn kept fussing with unwieldy canvases, growing frustrated. “Fucking rigidity,” Dittborn had exclaimed, bashing the canvases to the wall. This aversion to the static, a trait endemic to the artists he championed, is just as applicable to Brett himself. The critic and curator had an abhorrence for the rigid, contempt for anything that refused to bend to the shape of the world. He was attracted to vitality, to art that marked, as he put it, “a new relationship with life.”

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