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All the new movies and early theater releases you can watch at home right now

All the new movies and early theater releases you can watch at home right now 2020/03/20 2021/07/02 Article Contents This article is part of our Movie theaters are slowly reopening, but most of the new releases are headed to streaming services rather than the big screen. Whether you re staying at home to ​limit potential risks, or just saving a few bucks by watching from the couch, we ve organized a huge list with many of the newly added films and some upcoming titles. July 2 Starring: Chris Pratt, Yvonne Strahovski, J.K. Simmons, Betty Gilpin, Sam Richardson, Theo Von, Jasmine Mathews, Seychelle Gabriel, Alan Trong

All the new movies and early theater releases you can watch at home right now

Movie theaters are slowly reopening, but most of the new releases are headed to streaming services rather than the big screen. Whether you're staying at

All the new movies and early theater releases you can watch at home right now

Movie theaters are slowly reopening, but most of the new releases are headed to streaming services rather than the big screen. Whether you're staying at

Tragic Jungle review: Netflix s excellent fantasy takes a slow trip into horror

The story of human civilization always comes back to this: Our desire to consume outweighs our responsibility to preserve. The histories of colonization and capitalism are tied up in that ideology, particularly in how those dual forces burned a destructive path through Latin America. Filmmaker Yulene Olaizola puts a spooky spin on this damaging history with her slow-moving, atmospheric, unnerving Netflix fantasy-thriller film Selva Trágica, or Set in the jungle along the border of Mexico and Belize in 1920, the fictional Tragic Jungle intentionally places itself in a broader conversation about the ruination of the natural world at the behest of businesses and their masters. With elements of folk-horror,

Tragic Jungle review: A mild plunge into the heart of darkness

Photo: Netflix Quest narratives and exploration stories can typically be divided into two broad categories: those that preserve the romantic spirit of adventure, where nature is often a source of wonder and even renewal; and those that parody the very same, tracking descents into madness, misery, and confusion. Yulene Olaizola’s Tragic Jungle falls squarely in the latter camp. Set during the 1920s on the border of Mexico and present-day Belize (formerly British Honduras), it mainly follows a group of Mexican chicleros who, in the course of their work harvesting tree resin for chewing gum, come across a solitary, English-speaking woman named Agnes (Indira Rubie Andrewin). Fearing that she might belong to a competing British crew, they take her along forcibly, not knowing that she had just escaped from a vengeful white landowner (Dale Carley) whom she was supposed to marry, and who is still in hot pursuit. More ominously, perhaps, intermittent narration from one of the chicleros (

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