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Swooping into an antique Germany via an initial descent-through-the-clouds that recalls Triumph of the Will, Russian director Alexander Sokurov continues his Faust with a visit to the laboratory of his eponymous anti-hero, who, shadowed by a servile assistant, is busy carving up a naked cadaver. The constantly moving camera glides from a close brush with the corpse s genitals to the organ removals being effected by Faust, and we soon learn that he is not out to understand the body s physical properties but to discover what he believes it contains the seat of the soul. Advertisement The existence and fate of the soul were of course central to Goethe s Faust, the nominal source of this very free, German-language adaptation, but it s safe to say that the concerns of the film largely aren t those of the play. Like Frankenstein, Goethe s tale, though derived from older sources, is one of the literary ur-myths of modernity, divining the demonic, destructive potential lurking wit

Johannes zeilerAnton adasinskiyCharles bukowskiIsolda dychaukWerner herzog kaspar hauserAndrei sigleGerman romanticHanna schygullaNew german cinemaRainer werner fassbinderWerner herzogஜோஹன்னஸ் ஜேலேற்சார்லஸ் புக்கோவ்ஸ்கிவெர்னர் ஹெர்சாக் காஸ்பர் ஹாஸர்ஜெர்மன் காதல்புதியது ஜெர்மன் சினிமா