Wall Street) and Jordon Belfort (
The Wolf of Wall Street), it also cemented America’s standing as both a global trade leader and the world’s largest national economy.
These days, however, big business is no longer focused on its business. Instead, in the wake of last year’s racial unrest, corporate powerhouses seem more concerned with providing public mea culpas on their historic failure to be sufficiently “woke.”
Self-inflicted floggings appear regularly within professional sports, where the Cleveland Indians have dropped their “Chief Wahoo” logo and have promised to follow in the footsteps of “The Washington Football Club” in dropping their longstanding team moniker as well.
Wall Street) and Jordon Belfort (
The Wolf of Wall Street), it also cemented America’s standing as both a global trade leader and the world’s largest national economy.
These days, however, big business is no longer focused on its business. Instead, in the wake of last year’s racial unrest, corporate powerhouses seem more concerned with providing public mea culpas on their historic failure to be sufficiently “woke.”
Self-inflicted floggings appear regularly within professional sports, where the Cleveland Indians have dropped their “Chief Wahoo” logo and have promised to follow in the footsteps of “The Washington Football Club” in dropping their longstanding team moniker as well.
Last Updated:
6th March, 2021 11:50 IST
Loved Scam 1992 & Can t Wait For The Sequel? Here Are 7 Movies/shows To Binge-watch
If you loved Scam 1992: Harshad Mehta Story , here s a list of seven engrossing shows and movies that you should watch!
Scam 1992: The Harshad Mehta Story is a drama series directed by Hansal Mehta that released on October 9, 2020. The 10-episode series that streamed on SonyLIV is one of the most engrossing adaptations of a real-life event on-screen.
Scam 1992 plot follows the meteoric rise and subsequent fall of Indian stockbroker Harshad Mehta in the country s largest money market. The series is an adaptation of the book authored by Sucheta Dala and Debashish Basu s, titled ‘