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Saskatoon / 650 CKOM
Jun 30, 2021 | 4:21 PM
Jared Bird holds a drum (left) and stands alongside Joseph Twist (middle) and Jeff Longman (right holding drum). (Jared Bird/Facebook)
It was a typical Saturday night in downtown Saskatoon last weekend the parks were busy with people strolling, jogging and biking along the trails next to the South Saskatchewan River.
Indigenous singing and drumming trio Grey Buffalo had come from Regina for the weekend to perform live at Kiwanis Park.
Jared Bird, his dad Jeff Longman and his cousin Joseph Twist were performing a new composition. It was a tribute Bird had written to the memory of the 215 children found in unmarked graves near the Kamloops Indian Residential School site.
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Deborah Cheethamâs acknowledgement of country marks new dawn for Bach
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By Peter McCallum
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Sydney Philharmonia Choirs, The Concourse, Chatswood, April 3
Sydney Philharmoniaâs âreimaginingâ of Bachâs St John Passion involved interpolating two newly commissioned Australian pieces around the movements of Bachâs monumental work, creating thoughtful juxtapositions and recontextualisations.
Deborah Cheetham began St Johnâs Passion with a musical welcome to country.
Credit:Eddie Jim
The concert began with Deborah Cheetham and Matthew Doyleâs
Tarimi Nulay â Long Time Living Here, a musical acknowledgement of country, its sustained high and low notes within inner moving parts, evoking dawn and first light.
Deborah Cheethamâs welcome to country marks a new dawn for Bach
Weâre sorry, this service is currently unavailable. Please try again later.
Dismiss
By Peter McCallum
Save
Normal text size
Sydney Philharmonia Choirs, The Concourse, Chatswood, April 3
Sydney Philharmoniaâs âreimaginingâ of Bachâs St John Passion involved interpolating three newly commissioned Australian pieces around the movements of Bachâs monumental work, creating thoughtful juxtapositions and recontextualisations.
Deborah Cheetham began St Johnâs Passion with a musical welcome to country.
Credit:Eddie Jim
Deborah Cheetham and Matthew Doyleâs
Tarimi Nulay â Long Time Living Here began the concert as a musical welcome to country, its sustained high and low notes within inner moving parts, evoking dawn and first light.