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Structural racism in St. Petersburg under scrutiny in new study

The study will be complete in September, but preliminary findings were presented to City Council last week.     People listen while several organizers speak outside St. Petersburg City Hall ahead of a march in solidarity against racism and police brutality in April. A new study is examining the role of structural racism in the city. [ IVY CEBALLO | Times ] Published 3 hours ago ST. PETERSBURG — The takeaways from a study presented at Thursday’s St. Petersburg City Council meeting weren’t particularly surprising: Structural racism exists in the city. And it has for a long time. Inequality and segregation have been longstanding issues in St. Petersburg, where only decades ago redlining forced African Americans to live in certain areas and where Central Avenue served to bifurcate the city. Those historic wrongs, and others, have a strong and persistent legacy today, according to the study.

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Arts & Culture Newsletter: Carnegie Hall's 'Be the Light' livestream keeps things upbeat

I’m David L. Coddon, and here’s your guide to all things essential in San Diego’s arts and culture this week. Are we starved for positive messages or what? I found some, appropriately enough, during the just-completed Easter/Passover season in a virtual offering from the free “Live with Carnegie Hall” livestream series. Producers Ray and Vivian Scott Chew hosted an hour of R&B and gospel music titled “Be the Light: A Joyful Celebration” that’s intended to uplift, inspire and bridge the sociopolitical and cultural divides tormenting us as a nation. Reflecting that mission is the opening video performance in the show: six-time Grammy winner Israel Houghton’s collaboration with Azi Schwartz, cantor of New York City’s Park Avenue Synagogue, on Simon and Garfunkel’s “Bridge Over Troubled Waters.” That’s followed by singer-songwriter Kenny Lattimore and a gifted college student covering Marvin Gaye’s “Mercy, Mercy Me,” then Ray Chew, on keyboards

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