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In the past, Samuel Ross has always delved into quite deep, stimulating topics: the relationship between modernism, traditionalism and utilitarianism when they all come together in his AW19 range; the concept of “a professional man moving into a working environment”; an examination of the changes that took place in our world in the near (and distant) past. This year, the London-based designer brings forth his new menswear range in a film dubbed 
Untitled   an energetic entwining of two disparate mood, moving between calm and burning intensity.
Words like portal , structure , saturate , mediate and open are enunciated tersely to sinister, futuristic beats; the set/runway itself has a dystopian, 1984-esque feel to it. Security cameras and voyeuristic spotlights are zooming in and focusing on the film s subjects in a room that is filled with what can be described as not much a triangular structure, some foliage and rocks, shaping out the naturally-formed runw ....

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