Billy Stritch has always embodied a suave elegance that evokes another era before tuxedos were replaced by ripped jeans and before cocktail hour was replaced by Netflix binges. His encyclopedic knowledge of The Great American Songbook is prodigious. He not only knows all the songs, he knows the history of them all. He is as stylish as the great pianists of that era: Oscar Peterson, Marion McPartland, Teddy Wilson, Art Tatum, and Dave Grusin. He is the upholder of a tradition that includes Ella Fitzgerald, Tony Bennett, Frank Sinatra, Barbra Streisand, Doris Day, and Mel Tormé.
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It wasn’t long before I figured out why some of the maps showed the road going through and some of the maps show it ending, so I turned around and went back the same way I had come in.
I decided to head through O’Neals Meadow on the way back, taking a left at 6S62, then a right on I soon reached an area that I thought was probably the old road that went into the upper part of O’Neals Meadow. There was no sign on the road but I believe at one time it went through and the other end has a sign with 5S63A. There are so many big, down trees on this road on the north side of O’Neals Meadow, I would say that section is pretty much blocked. But I did it last year and where there is a will there is a way on foot.