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Met Museum s European paintings galleries will reopen on May 23

The Metropolitan Museum of Art’s galleries for its world-renowned collection of European Old Master paintings from the 13th through the early 19th century will reopen on May 23 after an extensive re | eTurboNews | Trends | Travel News

Paint by Numbers | Lapham s Quarterly

Paint by Numbers | Lapham s Quarterly
laphamsquarterly.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from laphamsquarterly.org Daily Mail and Mail on Sunday newspapers.

Colonial lives across british empire imperial careering long nineteenth century | British history after 1450

Colonial lives across british empire imperial careering long nineteenth century | British history after 1450
cambridge.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cambridge.org Daily Mail and Mail on Sunday newspapers.

Colonial lives across british empire imperial careering long nineteenth century | British history after 1450

Colonial lives across british empire imperial careering long nineteenth century | British history after 1450
cambridge.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cambridge.org Daily Mail and Mail on Sunday newspapers.

Sotheby s Botticelli Portrait Sells For $92m -Rembrandt Painting Withdrawn

/ The sale of Young Man Holding A Roundel  1470-80 by Sandro Botticelli, which went under the hammer today at Sotheby’s has achieved in excess of $80m ($92.1m plus fees). It was reported that it sold to a Russian buyer on the phone with Lilija Sitnika, a director and senior client liaison on Sotheby’s Russia desk in London. The painting embodies Sandro Botticelli’s achievements as a portraitist. Praised by the great Italian Renaissance scholar and museum director John Pope Hennessy as “a giant among portraitists,” Botticelli was celebrated in this field, yet precious few examples of his portraits survive today. Were it not for his fashionable tunic, the supremely elegant individual depicted here could have stepped out of one of Botticelli’s mythological or religious paintings, so striking is his resemblance to the beautiful figures that inhabit those works. Innovative in form and at the same time wholly characteristic of Botticelli’s genius, this timeless masterpi

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