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Photograph courtesy of Harvard Art Museums; ©President and Fellows of Harvard College Even the Qing emperors, nearly four centuries ago, recognized Song dynasty (960-1279) Jun ware a distinctive opalescent blue, sometimes splashed with organic-seeming, almost foliate lobes of plum as one of the five great achievements of China’s astonishing ceramic legacy. In contemporary perspective, Jun techniques in fact persisted much longer, at least into the Ming era (1368-1644): the fourteenth and fifteenth centuries. Photograph courtesy of Harvard Art Museums; ©President and Fellows of Harvard College   One unusual set of such vessels is the subject of Harvard Art Museums’ exhibition “Adorning the Inner Court,” on display through August 13. For his fiftieth reunion, Ernest B. Dane, A.B. 1892, and his wife, Helen Pratt Dane, donated a ceramic and jade collection to the museum, including 60 pieces of “Numbered Jun” ware: various lobed and rectangular pots (with holes to drai

T ai peiSusan costelloMelissa moyHelen pratt daneErnestb daneLucy cooperFellows of harvard collegeHarvard art museumHarvard art museumsWinner courtMental cultivationடி ஐ பேய்சூசன் காஸ்டெல்லோமெலிசா மொய்ஹெலன் ப்ர்யாட் டேன்லூசி கூப்பர்