There are no big crowds or large gestures in
But Still, It Turns: Recent Photography from the World at the International Center of Photography in New York, which brings together the work of nine photographers to illuminate, as if by aleatory spotlight, corners of the United States in everyday endurance. Instead, the mood is quietly contemplative, a muted melancholy settling over the show like a light fog.
But Still, It Turns what Galileo reportedly said upon the church’s rejection of his most famous theory was planned before the pandemic but held until this February. If the exhibition feels prophetic, you might attribute that to the tricks of time. If it feels a bit random, that is no accident, writes curator and photographer Paul Graham in the stylish catalogue, published by MACK. “To some viewers, the artists’ work presented here, with its tributaries and eddies, its non-sequiturs and perambulations, its lack of drama and prize winning moments, will mean it does not appeal
Lisson Gallery now representing Garrett Bradley
Garrett Bradley (born 1986) lives and works in New Orleans.
LONDON
.-Lisson Gallery announced exclusive worldwide representation of American artist and filmmaker Garrett Bradley. Bradley works across narrative, documentary and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice and cultural histories in the United States. Adopting archival material alongside newly shot footage, Bradleys films exist simultaneously in the past, present and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective and truth-telling. These narratives unfold naturally in both feature-length and short form, rather than being forced into a singular definition or perspective, and consequently reveal the characters multifaceted individual and collective stories.