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Artis-Naples announces major gift to the Baker Museum permanent collection

Artis-Naples announces major gift to the Baker Museum permanent collection Dale Chihuly Red Reeds, 2010. 10 x 43 x 2 . ArtisNaples, The Baker Museum, Naples, Florida, installed 2020 © Chihuly Studio. NAPLES, FLA .-ArtisNaples announced today a significant gift from Patty and Jay Baker and Jeanette Montgomery Evert and Herbert P. Evert to The Baker Museum permanent collection: Red Reeds, by Dale Chihuly, an outdoor installation in the Norris Garden that is part of the exhibition Dreaming Forms: Chihuly Then and Now, which closes today. The work, which consists of elongated red blown glass reed forms, will now become a part of The Baker Museums collection and will remain in the Norris Garden.

Louisa simpsonHayes hallJay bakerDale chihulyHerb evertJeanette montgomery evertCourtney mcneilLeslie chihulyKathleen van bergenKimberlyk querreyHerbertp evertA naples museum inaugural exhibitionBaker museumRed reedsNorris gardenDreaming forms

Chihuly Red Reeds becomes birthday gift to The Baker Museum in Naples

Chihuly Red Reeds becomes birthday gift to The Baker Museum in Naples
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United statesVirginia museum of fine artsHayes hallJeannette montgomery evertMyra janco danielsJeanette evertJay bakerDale chihulyHerbert evertCourtney mcneilKathleen van bergenPatty bakerVirginia museum of fine arts in richmondJon austria naples daily news united statesBaker museum onBaker museum at artis naples

Chihuly s Fiori installation on view at the Society of the Four Arts through April

Dale Chihuly has a reputation for creating stunning art by manipulating the mesmeric beauty and aesthetic of glass. On Monday, The Society of the Four Arts unveiled installations of two of his works Black and Yellow Herons and Red Bulbous Reeds from his Fiori (Italian for flowers) series, which will be on view at the Philip Hulitar Sculpture Garden through May 2. Although many of Chihuly s fans know him as a glass artist, his artistic career started with weaving as a primary medium. He told the Daily News it was the beauty and power of stained-glass windows he encountered during his travels during the 1960s that moved him to start incorporating glass shards into woven tapestries while in college at the University of Washington in 1963.

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