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Identity
Stranded at a desolate Nevada motel during a nasty rain storm, ten strangers (including John Cusack, Ray Liotta, and Amanda Peet) become acquainted with each other when they realise that they re being killed off one by one.
Available to watch on Prime Video.
The Invisible Man
When Cecilia s (Elisabeth Moss) abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.
Available to watch on NOW.
The Invitation
A man (Logan Marshall-Green) accepts an invitation to a dinner party hosted by his ex-wife, an unsettling affair that reopens old wounds and creates new tensions.
The rules for winning one of the top spots are as follows: In order to qualify for a Golden Tomato Award, a movie must have been released in the United States between January 1, 2020 and February 28 2021, and it must have at least 40 reviews. All eligible seasons and TV movies must have premiered in the 2020 calendar year, and have a minimum of 20 reviews from different critics for the season or it s episodes. All contenders need to have at least 5 reviews by Top Critics.
There you have it. So how many of the Golden Tomato winners have you seen?
1. Portrait of a Lady on Fire
Posted on Thursday, January 7th, 2021 by Matt Donato
It’s been a deceptive 12 months, depending on where you get your information. Some narratives might suggest that 2020 is the year movies vanished, but I’d suggest quite the opposite by my view count. I bested my reigning new-release record in the horror genre alone by roughly thirty titles, noting how streaming and VOD dominated the genre. This made it relatively easy to assemble best-of recap lists since, well, there were so many options. Crazy to admit while theaters still have their lights switched off across the country.
Below, let’s dig into my favorite scares of the year. The freakish, the fiendish, and the forever stuck in my noggin. Horrors never subsided for a second, and what a saving grace their distractions remain. Without further keystrokes, let’s get to the goshdang point.
It wasn t so bad in the end, at least where cinema was concerned. Even with all those tentpole releases pushed back to next year, 2020 was so thronged with quality movie titles that narrowing down this selection of the best titles was quite a task.
With theatrical releases few and far between, we found ourselves excellently served by platforms such as Curzon, IFI@Home, and Netflix (which emerged as a feature-film market leader). When cinemas could be returned to in safety, there were still home-grown wonders and big-studio productions worth venturing out for, with the odd bloated anti-climax thrown in for good measure (Christopher Nolan s Tenet was hugely disappointing).