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Face the Music: Return to concerts is like coming home

Face the Music: Return to concerts is like coming home
pressherald.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from pressherald.com Daily Mail and Mail on Sunday newspapers.

Live Music Lineup: Country, roots, rock and folk shows all happening this weekend

Live Music Lineup: Country, roots, rock and folk shows all happening this weekend
pressherald.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from pressherald.com Daily Mail and Mail on Sunday newspapers.

As The Pretty Reckless tops the charts, singer Taylor Momsen makes herself home on midcoast

As The Pretty Reckless tops the charts, singer Taylor Momsen makes herself home on midcoast Momsen has been spending more time at her home in Maine, where her band also recorded its recent album, Death by Rock and Roll. Photo courtesy of Fearless Records During some really dark periods in her life, singer Taylor Momsen has turned to Maine for light and hope. She first started on a downward emotional spiral – drinking too much, not devoting as much energy to her music as she wanted to – in 2017 after the suicide of Soundgarden frontman Chris Cornell, a personal musical hero of hers.  Momsen’s rock band, The Pretty Reckless, was on tour with Soundgarden when Cornell died. To try to refocus and recover from the shock, Momsen retreated to her home on the midcoast.

Face the Music: Portland musician Sara Hallie Richardson takes on iconic Joni Mitchell album

Face the Music: Portland musician Sara Hallie Richardson takes on iconic Joni Mitchell album Richardson will be performing Blue in front of a small audience Feb. 19 at The Halo at Thompson s Point. Photo by Aimsel Ponti Joni Mitchell’s 1971 “Blue” album is on my top 10 list of all-time favorite albums, and musician Sara Hallie Richardson will be playing every song from it on Feb. 19 in Portland. “Blue,” Mitchell’s fourth album, celebrates its 50th anniversary this year and was released when the artist was 27. I’ve been essentially obsessed with the album for decades, and it never ceases to amaze me how it encapsulates such a deep sense of love, longing and place. From the opening “All I Want” to the closing “The Last Time I Saw Richard,” the journey Mitchell offers is profound, and as a fan of Richardson for nearly a decade, I have unfettered faith that she’ll take the audience on a similar journey, while also putting her own mark on it.

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