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What Jackie Chan and Yuen Woo-ping's stunt teams brought to the martial arts icons' classic movies

Tin Tin Film Production
Martial arts choreography began with the performers often designing the moves themselves before the profession became standardised in the 1960s, a development which provided careers for great martial arts choreographers such as Lau Kar Leung .
The late 1970s and the 1980s saw the foundation of stunt teams such as the Jackie Chan Stuntmen Association, the Sammo Hung Team, and the Yuen Clan.
“We were really competing against each other,” Mars, a long-time member of Chan’s troupe, told the Hong Kong Film Archive.
Below, we recall the history of the Yuen Clan and the Jackie Chan Stuntmen Association. ....

United States , Hong Kong , Yuen Chun Yeung , Chow Yun King , Chang Cheh , Lau Kar Leung , Roger Garcia , Yuen Yat Cho , Jackie Chan , Martha Burr , Yuen Cheung Yan , Benny Tai , Chan Police Story , Sammo Hung Team , Police Story , Jackie Chan Stuntmen Association , Hong Kong Film , Yuen Clan , Jackie Chan Stuntmen , Yuen Woo Ping , Yuen Siu Tin , Yuen Shun Yi , Drunken Master , Mad Killer , Magnificent Butcher , Jet Li Lian Jie ,

How martial arts choreographers changed Hong Kong cinema

Facebook/9independentswords
Hong Kong martial arts films owe much of their success to martial arts choreographers. But their history is mainly undocumented.
A brief 1999 essay by the Hong Kong Film Archive’s Yu Mo Wan, called Martial Arts Directors in Hong Kong Cinema, set out the historical framework of the craft and provided some of the material for this story.
The first wuxia films were made in Shanghai, then known as “the Hollywood of the East”, in the 1920s. According to Stephen Teo’s all-encompassing book Chinese Martial Arts Cinema, 1922’s Vampire’s Prey is the earliest example of a film with wuxia characteristics, and The Burning of the Red Lotus Temple, released in Shanghai 1928 and directed by Zhang Shichuan, is generally considered to be the first of the genre as we would recognise it. ....

United States , Lotus Temple , Hong Kong , Stephen Teo , Han Ying Jie , Zhang Shichuan , Kim Fei , Yu Mo , Chang Cheh , Lau Kar Leung , Hong Kong International Film Festival , Hong Kong Film Archive , Martial Arts Directors , Hong Kong Cinema , Chinese Martial Arts Cinema , Red Lotus Temple , Yam Yu Tin , Red Butterfly , Fong Sai Yuk , Fong Sai , Leung Wing Han , Wong Fei Hung , Part One , Fei Hung , Kwan Tak Hing , Tak Hing ,

Played by Jet Li and Jackie Chan, who was Wong Fei-hung for real? Tracing the life of the martial arts legend

February 07, 2021
Jet Li as Wong Fei-hung in Once Upon a Time in China 2 (1992), directed by Tsui Hark.
Wong Fei-hung is the most famous of all the exponents of southern-style Chinese martial arts, and his exploits have passed into legend. There have been around 100 films about him, 77 of which feature actor Kwan Tak-hing, who became synonymous with Wong during the 1950s and 1960s .
Radio plays, pulp novels, newspaper story serialisations, and television series have been devoted to his life. At one point, no less than seven newspapers were running serialised novels about Wong at the same time.
The martial arts master became known to international audiences in the 1990s when he was played by Jet Li Lianjie in Tsui Hark’s supremely successful ....

United States , Hong Kong , Hong Xiguan , Woshi Shanren , Li Lianjie , Wong Kei Ying , Frank Yee , Tsui Hark , John Ford , Wong Fei Hung , Kwan Tak Hing , Jet Li Lianjie , Once Upon , Man Who Shot Liberty Valance , Prodigious Cinema , Ten Tigers , Southern Shaolin , Shaolin Monastery , Luk Ah Choi , Hung Gwan Dai , Iron Wire Fist , Five Forms Fist , Tiger Vanquishing Fist , Shadowless Kick , Grace Under Fire , Guangzhou Civilian ,

Sammo Hung and others on what makes a good martial arts film

Fortune Star Media Limited
What makes a good martial arts film – realistic kung fu or special effects and wirework? Should the performers be trained martial artists, and does the story matter as much as the action?
The legends of the genre give their opinions.
Sammo Hung Kam-bo, who was generally absent from the effects-driven martial arts films of the early 1990s, talking to
Cinema AZN
in 2005: “When I first saw special effects in martial arts films, I was very excited. But now everyone uses something, every film has a special effect. I liked special effects at first, but they use them too much in martial and action films now. People don’t trust the action any more. ....

United States , Hong Kong , Shaolin Temple , Cheng Pei , Jimmy Wang , Gordon Liu , Yu Cheng Hui , Chang Cheh , Hong Xiguan , Li Lianjie , Dragon Wilson , Lau Kar Leung , Kung Fu , Hung Kam Bo , Chiang Da Wai , Sek Kin , Wong Fei Hung , Five Wolves , Kwan Tak Hing , Hong Kong Film Archive , Fong Sai Yuk , Beijing Opera , Shaw Bros , Cheung Sing Yim , Jet Li Lianjie , Film Archive ,