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Broadway Alive Presents The Ellen's Stardust Diner Alumni Reunion Tonight

New York choreographer returns to stage Sterling College show

Audition now for 'Little Shop of Horrors' at Franke Center

MARSHALL, Michigan — The Franke Center’s Youth Theater is pleased to announce auditions for its high school production of “Little Shop of Horrors” on April 12-14. A deviously delicious Broadway and Hollywood sci-fi smash musical, “Little Shop of Horrors” has devoured the hearts of theatregoers for more than 30 years. This play will be rehearsed and performed at the Calhoun County Fairgrounds in Marshall, Michigan. Participants will be socially distanced and masked as COVID conditions require. The cast will be limited in size to 30 students and will be rehearsed in pods as much as possible. There is a $10 non-refundable registration fee to audition. All auditions must be scheduled in advance. This production will be limited to 30 cast members, and students who are in grades 9-12 for the 2020-21 school year are encouraged to participate.

Sheldon Vexler Theatre in San Antonio to remain closed indefinitely

Sheldon Vexler Theatre in San Antonio to remain closed indefinitely Deborah Martin, Staff writer FacebookTwitterEmail 1of5 Ken Frazier, who has run the Sheldon Vexler Theatre since it opened in 1999, is clearing out the space. Operations have been suspended for the foreseeable future.Deborah Martin /Express-News staffShow MoreShow Less 2of5 John Stillwaggon played the title role in the Sheldon Vexler Theatre’s steampunk-influenced staging of “Hamlet.” He says the loss of the Vex is a blow to the city’s theater scene.Courtesy photoShow MoreShow Less 3of5 Ken Frazier, center, and his wife, Tammy, co-directed “Peter and the Starcatcher” at the Sheldon Vexler Theatre. The couple frequently collaborated at the theater, which closed last year because of the pandemic.Kin Man Hui /San Antonio Express-NewsShow MoreShow Less

Meet the 12 recipients of the Future Theatre Fund

Meet the 12 recipients of the Future Theatre Fund Nick Curtis Theatre has always been a vital component in the Evening Standard’s reporting of London, the association cemented by the foundation of the paper’s annual Theatre Awards in 1955. Last year, with playhouses shuttered and the awards (and ES Magazine’s special issue) unable to go ahead, thoughts turned to how best we could support an industry in crisis. There was some help available to buildings and companies to stave off closure, and eventually to the freelancers who make up 70 per cent of theatre’s workforce. But what about the next generation, who should inject the industry with vital new blood but were instead emerging into a wasteland?