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When art and photography collided with the American magazine

When art collided with the American magazine Senior curator Mason Klein explains how photography, graphic design and magazines transformed American visual culture from 1930 to 1960, ahead of a new exhibition at the Jewish Museum in New York 06/04/2021 7:57 am Visual culture is informed by a multitude of influences, especially now as we meander through the digital age like seasoned pros. But before the internet became our main source of visual communication, magazines would dictate the stories we read, the images we saw, and the way they were presented to us.  The modern magazine comes in all sorts of shapes, formats, and designs, and though there are house aesthetics and style guides, ultimately there are no set rules. This sense of freedom in publishing was slow in coming though, and in the US specifically it took a set of experimental creatives to show what could be done. A new show opening this week at the Jewish Museum, New York highlights the importance of these figures,

Exhibition explores how photography, graphic design, and magazines transformed mid-century American visual culture

Exhibition explores how photography, graphic design, and magazines transformed mid-century American visual culture
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Current and coming: Changing lenses at the Jewish Museum

Current and coming: Changing lenses at the Jewish Museum Mason Klein Private collection, © The story of the exhibition Modern Look: Photography and the American Magazine starts in Weimar-era Germany, where the emerging field of graphic design was developing throughout the 1920s at the Bauhaus school. Numerous artists and designers of the German avant-garde were Jewish. When the Nazis came to power in 1933, their opposition to modernist art and persecution of its practitioners drove a generation of photographers and artists to immigrate to the United States. There they found a robust mass media exemplified, in an era before television, by large-circulation magazines, such as

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