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Itchiness about Beethoven’s cultural dominance would continue to bring classical music out in occasional hives, and in 2007 Nadine Gordimer published a collection of short stories called Beethoven Was One-Sixteenth Black. But the issue of race laid largely dormant until this year – the 250th anniversary of his birth – when against the backdrop of Covid-19 becoming inextricably linked with the Black Lives Matter movement, echoes of Carmichael and X were voiced, coming from directions nobody expected. William Gibbons, a musicologist at the College of Fine Arts in Forth Worth, Texas, had already put a bomb under classical music Twitter with a thread that began: “As 2019 winds down, here’s a short thread about one of my big resolutions for 2020: spending a full year avoiding Beethoven.” Then the pandemic struck and swept all the Beethoven celebrations aside anyway. With Europe heading towards lockdown, the composer Charlotte Seither, debating at the Beethoven-Haus in Bonn, c

United kingdomNew yorkUnited statesStanford universityNordrhein westfalenSan franciscoSmith collegeSierra leoneSierra leoneanJulius eastmanEdward ellingtonNadine gordimerAngela davisHerman blountMichael rosenAndrea moore