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Electricity: Type I has two flat pins in a V-shape as well as a grounding pin. A version of the plug, which only has the two flat pins, exists as well.
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From art exhibitions and museum workshops to fashion shows and culturally significant walks, Indigenous activities are in the limelight.
Nationwide extravaganza of Indigenous talent
WA Museum Boola Bardip opened last year. Entry is free.Â
Michael Haluwana
Despite lockdowns this week in Sydney, Darwin and Perth, along with upgraded restrictions across the nation from late this month, NAIDOC Week is scheduled to go ahead from July 4 to 11, with the theme
Heal Country!
âWe urge those interested in activities near them to pop onto the website, naidoc.org.au, to see what is on, either live or virtual, and receive updates of changes to programs,â the media officer at the National Indigenous Australians Agency told
By Elisha Buttler and Michele Stockley
People have been talking about the relationship between art and change for a long time. Art as an agitator for change, a messenger for change; art as an act of activism or assertion. These days, this relationship may feel like a natural one; however, this hasn’t always been the case, with many of the artistic practices and theoretical concepts linking art and change having shifted over time but especially within the last two decades. Dr Geoff Hogg, Adjunct Professor in the School of Art at RMIT, notes:
The last twenty years have seen a growth in socially engaged art as an accepted field of creative practice. Today this feels normal, and it is becoming harder to remember that for much of the twentieth century this was highly controversial. The concept of ‘art for art’s sake’ was a nineteenth-century philosophy that extolled the intrinsic value of art independent of political, moral or educational purposes. In the tw
Two burial poles have been erected at the Australian National University to signify the return of over 200 blood samples to the Galiwin'ku people after half a century.