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Alison Saar traces diasporas in the exceptional Silt, Soot and Smut at L A Louver Gallery
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How artist Roberto Gil de Montes shows our unsettled state
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Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, as well as the paper’s unofficial northern Peruvian cumbia ambassador, here with the week’s essential culture news.
Making the Latino central
Chon Noriega has led UCLA’s
Chicano Studies Research Center, an academic hub that was launched in the late 1960s, and that has been key to archiving Chicano historical documents, producing original scholarship and publications, and commissioning oral histories of important artists, activists and political figures. After 19 years, he is stepping down from that role though he will remain as a professor in the department of film, television and digital media.
Design and illustrations by Jade Cuevas
Good morning, Golden State travelers. Fear is a curious thing and travel often is posited as a way to help people confront their hang-ups and insecurities in a healthy way.
Times contributor Edmund Vallance
recently faced his fear of canyoneering born out of the horrifying incident in “127 Hours” on an adventure in Utah. You’ll read about his empowering experience and more in this edition of Escapes.
Fear can also be a helpful, life-saving friend. A fear of crowds and enclosed spaces is a reasonable, smart reaction to a pandemic that continues to devastate large swaths of the world.
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Every now and then over the past half-century, wallpaper has stepped forward to play an unexpected leading role in art.
Yes, wallpaper.
In the 1960s there was Andy Warhol’s frilly pink cows, which queered Picasso’s self-identification as art’s macho bull. In the ‘70s, Tina Girouard went around the bend of Conceptual art, replacing rigorously mathematical wall drawings with geometric bits of grandma’s parlor décor. Later, Jim Isermann affixed abstract vinyl decals to museum walls, transforming a high art institution into a domestic home for acute DIY craft.
Now, at the Los Angeles County Museum of Art, wallpaper is a linchpin in a marvelously multidimensional installation by Cauleen Smith.
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