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facebook Pintrest It was sometime in May 1966 when Uttam Kumar received a phone call from Satyajit Ray. “Uttam, Nayak will be premiering tomorrow at Indira Cinema. I hope you will be there,” Ray reportedly said. “But Manikda, the press and public will also be there. Do you think I should go? There will be pandemonium,” he had replied. “Uttam, don’t forget it’s a Satyajit Ray film. Please be there,” Ray had commanded. The next day, the news of Uttam Kumar’s presence at the cinema hall spread and all hell broke loose that day. By late afternoon, roads leading to Bhowanipore were barricaded. Uttam Kumar’s car – by most accounts a Chevrolet Impala – had to be piloted through the by-lanes. The theatre was literally shaking under the weight of uproarious chanting, ‘Guru, guru’, with demands to get a glimpse of the star. The hall manager rushed to Ray. “Sir, if we don’t bring him up on stage there will be a serious law-and-order issue.” Minutes later, t

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