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Apollo. Preview and subscribe here. It is hard not to warm to the personality of Thomas Herbert, 8th Earl of Pembroke (1656–1733), the most celebrated and eccentric collector of antiquities in early 18th-century Britain. In Lord Wharncliffe’s description a century later, the earl ‘distinguished himself chiefly by odd whims and peculiarities; one of which was a fixed resolution not to believe that any thing he disliked, ever did or could happen’. At the same time, he was a serious figure at a time of extraordinary transition in the scholarship of classical antiquities, when erudite antiquarians were seeking to make sense of classical art on the basis of a sometimes formidable knowledge of ancient literature and coinage, but with little access to comparative material and no established methodology. The signal achievement of Pembroke’s intellectual life was the formation of a huge collection of ancient and modern sculptures at the family seat of Wilton House in Wiltshire –

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