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Heritage Auctions returns missing Margaret Keane painting stolen in 1972

Heritage Auctions returns missing Margaret Keane painting stolen in 1972 The artwork, by the subject of Tim Burton’s film Big Eyes, was taken from the waiting room of a Honolulu dentist’s office. DALLAS, TX .- On Nov. 14, 1972, a painting by iconic artist Margaret Keane was stolen from a dentist’s office waiting room in Honolulu, and remained missing for nearly 50 years. On Wednesday, Heritage Auctions reunited the lost artwork with its original owners – among them, the woman depicted in the painting as a 7-year-old girl. During a media conference at the Dallas-based auction house’s global headquarters, Heritage officials turned over the painting to the family’s representative, Robert Wittman, a former FBI special agent and founder of the agency’s Art Crime Team. The work sold at auction in December 2020, shortly after which Wittman, a renowned art-recovery and security specialist, informed Heritage Auctions it had been stolen from Hawaii in 1972.

The app that turns you into an art crime sleuth

The app that turns you into an art crime sleuth The world’s biggest law enforcement agency wants the public’s help in identifying and preventing the sale of illicitly trafficked cultural goods. By Kelly Horan Globe Staff,Updated May 13, 2021, 12:00 p.m. Email to a Friend Interpol s ID-Art app enables mobile access to its stolen art database and permits users to create art collection inventories and document at-risk cultural sites.INTERPOL Private art crime sleuths the world over have just been given a new tool to help identify and stop the sale of stolen art and looted antiquities: a smartphone app that gives them instant, real-time access to Interpol’s international database of stolen art.

art heist | The McGill Tribune

A McGill phonebooth and the largest art heist in Canadian history The story of the “Skylight Capers” and the 1972 robbery of the Montreal Fine Arts Museum Alexandre Hinton, Multimedia Editor An ill-omened spirit fell over Montreal in the early morning hours of September 4, 1972. The city was in a state of despair as the public mourned the loss of 37 Wagon Wheel club-goers in an atrocious fire. Few celebrated the Montreal Expos victory over the St. Louis Cardinals. The top song on the Canadian charts for that week was “Alone Again,” a morbid ballad composed by Irish singer-songwriter Gilbert O Sullivan. Meanwhile, three thieves were preparing to execute the largest art heist in Canadian

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