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Op-Ed: If We Want Healthcare Equity, We Need to Get Radical

Op-Ed: If We Want Healthcare Equity, We Need to Get Radical
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The College Admissions Crucible | The New Yorker

China s Involuted Generation | The New Yorker

Save this story for later. Last September, a student at Beijing’s élite Tsinghua University was caught on video riding his bike at night and working on a laptop propped on his handlebars. The footage circulated on Chinese social media, and shortly afterward more photos of other Tsinghua students—slumped at cafeteria tables, buried under stacks of textbooks—appeared online. Commentators proceeded to roast the insane work ethic on display and tag the students as part of a rising generation of “involuted” young people. The cyclist became a meme—“Tsinghua’s Involuted King”—and a flurry of blog posts on Chinese social media criticized the “involution of élite education,” while an article published by the state-run Xinhua News Agency dissected the “involution of college students.” By the time winter arrived, the idea of involution had spread to all corners of Chinese society.

The Squandered Promise of Chet Hanks s White-Boy Summer

Save this story for later. There’s a lot that I don’t remember from that time, a little more than a year ago, when America was beginning to realize the awful enormity of the coronavirus pandemic. I’ve repressed much of the stressful minutiae of those days, but, when I look back, one memory comes to mind, and, surprisingly, it is not a bad one. On March 12, 2020, Chet Hanks—a rapper and actor on TV shows such as “Empire” and “Shameless,” who is perhaps most famous for being the thirty-year-old son of the actor Tom Hanks and his wife, Rita Wilson—took to Instagram to notify the public that his parents had contracted

We Live in the World of WandaVision

Save this story for later. If—like Wanda Maximoff—you’ve been living in your own reality, distant from all things in 2021, you may not have heard about “WandaVision,” whose first and only season ended on March 5th. (If you’re planning to watch it and hate spoilers, stop reading now.) The immensely popular show, from Disney+ and Marvel Studios, follows Wanda, a.k.a. the Scarlet Witch, an Eastern European refugee with “chaos magic” powers, and her husband Vision, a synthezoid (android) who died in the events of the Marvel movie “Avengers: Infinity War.” Nearly all nine episodes of “WandaVision” depict the pair in what appears to be domestic suburban bliss. Nearly all take plots and visual style from one of the sitcoms that Wanda watched for solace during her bleak wartime youth, from the black and white of “The Dick Van Dyke Show” to the faux-reality vibe of “The Office.”

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