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Image: Paula Lobo A Sun Ra tribute concert by a member of the pathbreaking pop group Labelle leads to reflections on how Black women artists and scientists have often been at the vanguard of their disciplines though most are still awaiting due recognition. This essay is featured in Boston Review’s new book, Ancestors. On the last night of Black History Month, February 29, 2020, I attended a concert held in the Temple of Dendur, at New York’s Metropolitan Museum of Art the last such event that I would attend, it turned out, for a very long time. Those who have visited the room will know that it resembles a massive display case: a pavilion-like wall of glass exposes the temple to the sky, and a reflecting pool frames it below. On this night, the temple glowed lavender in the dark behind 600 folding chairs that had been set up to face a makeshift stage. A DJ played songs like Parliament’s “Mothership Connection (Star Child)” while four d

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