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Actor-chef Mitchell Anderson Reflects on Life in Song, Story in You Better Call Your Mother
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The Velvet Underground Film Review: Todd Haynes Makes an Immersive and Essential Rock Doc
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R
ichard and Karen Carpenter sit by the ocean, dressed in dinner-party duds and beaming directly into the camera lens, which is pulled to the softest possible focus. The photo on the cover of the Carpenters 1970 album
Close to You is like something you d see hanging in a Sears portrait gallery (Richard himself hated it), and that gauzy, clean-cut image dogged the duo for years. A year later, the Carpenters third LP would have nothing on its cream-colored jacket but the band s name, embossed in its now-iconic baroque font. That record, simply titled
Carpenters, was released 50 years ago this week, and it cemented Karen and Richard s status as (pun intended) superstars. It remains their most successful studio record, too, selling more than 4 million copies and spawning three Top 10 singles.
About the Show
Every two weeks, film critics Dana Stevens (Slate) and K. Austin Collins (Rolling Stone) revisit notable films from the past movies outside of the current releases and that have influenced modern culture and canon and analyze them with a contemporary, critical eye.All episodes Hosts
Dana Stevens is Slate’s movie critic.
K. Austin Collins is a film critic for Rolling Stone and a crossword constructor for the New Yorker and the New York Times.
Mental health issues, and eating disorders in particular being consistently gendered feminine are exacerbated, downplayed, and ignored by patriarchal institutions. Frustration on the part of the victimized is understandable, and art can justifiably be deemed escapist in essence. Conversely, I present to you: Superstar: The Karen Carpenter Story (1987), a movie that refuses […]
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