In the film
Blow-Up (1966)[i] photographer (David Hemmings) becomes consumed by some enigmatic photographs he has taken in a park – do they show a murder in the background or not? Repeatedly, he enlarges the photographs looking for meanings or clues, in the process deconstructing both the images, and, inadvertently, the context in which he exists.
All the long sections in italics below this introduction, are taken from two central chapters[ii] of a literary/ecological thriller,
A Bruise on the Snow. Though deprived of its characters and plot, in a manner less abstract but perhaps not dissimilar to that of
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San Antonio band Passing Strangers turns back time with new wave and nostalgia
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Passing Strangers play the AquaDuck Beer Garden. The new wave band had a local hit in the early ’90s with a remake of “Dream Weaver.”Billy Calzada /Staff Photographer
On a recent Friday night at AquaDuck Beer Garden on the South Side, several dozen middle-aged fans bopped to the beat of Passing Strangers as the San Antonio band belted out cover after cover of classic new wave hits like “Let’s Go” by the Cars and “Just Like Heaven” by the Cure.
“How many of you have seen us before?” asked Passing Strangers’ front man and founding member John Boyd. “Yes, we played your prom.”
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