The Friends reunion has been filmed in Los Angeles: Here's what we know yahoo.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from yahoo.com Daily Mail and Mail on Sunday newspapers.
Tomorrow, March 14, the 63rd GRAMMY Awards air on CBS, and of the 83 categories, Broadway fans are zeroed in on just six nominees- the competitors for Best Musical Theater Album. The winner will be announced ahead of the CBS broadcast, airing at 3pm ET on grammy.com. Follow along with BroadwayWorld to find out who takes home the prize!
Which cast recordings are eligible?
The 63rd GRAMMY Awards recognize recordings released between Sept. 1, 2019, and Aug. 31, 2020. The category is limited to albums containing at least 51% playing time of new recordings. The award goes to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album.
Everything you missed at the International Women s Day Concert hosted by Girls With Impact
Who runs the world? Girls!
Girls With Impact had one mission when coordinating their historic International Women’s Day Benefit Concert: provide good music for a good cause.
With musical performances from Madson Reyes, Fletcher and Renée Elise Goldsberry, this star-studded concert co-sponsored by Live Nation and Girls With Impact caught the attention of teens, parents and sponsors from around the world.
The purpose of the concert was to raise funds to equip under-resourced girls as tomorrow’s business leaders and innovators,” according to the Girls With Impact website. The organization, which serves as a business and innovation academy for teenage girls ages 12 to 18, promises to provide girls with the tools, confidence and skills to be tomorrow’s business leaders, entrepreneurs and innovators.
It’s safe to say that the majority of present-day moviegoers steer clear of stage-to-screen adaptations. There are films in this subgenre that would be considered classics, like Elia Kazan’s “A Streetcar Named Desire” and Milos Forman’s “Amadeus” and “One Flew Over the Cuckoo’s Nest,” but there is something about the intimacy of watching the film version of a work originally performed as a stage play that turns many audiences off. This past month, though, I watched two films that stuck with me for weeks: George C. Wolfe’s “Ma Rainey’s Black Bottom” and Regina King’s “One Night in Miami.” These two stories focus on different eras of Black history in America one set in 1927, the other in 1964 and their associated philosophies. Both of these adaptations are masterfully crafted, with excellent directing and performances that will speak to people in ways that other stage-to-screen adaptations in the past have been unable to achieve.
Eric Nies, Julie Gentry, Heather B. Gardner, Kevin Powell, Norman Korpi, Andre Comeau and Becky Blasband return to the original New York City loft starting March 4