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“It’s not easy at the moment. When sessions are on Skype or Zoom, it takes more time. But we’ve been doing that and maybe we’ll get the studio with the latter.”
Meduza attend the 62nd Annual GRAMMY Awards (Picture: Lester Cohen/Getty Images for The Recording Academy)
When asked to respond to The Weeknd’s recent Grammys snub, Vitale told the publication that the singer, real name Abel Tesfaye, “deserves” to be recognised but “it doesn’t mean if you don’t get a Grammy you’re not a good artist”.
“If I was him I’d remember, ‘OK, it’s just a game, you know. People love my music and people are sharing my music’. That’s the most important thing,” Vitale said.
Andrew Gold
Andrew Maurice Gold (August 2, 1951 – June 3, 2011) was an American multi-instrumentalist, singer, songwriter, and record producer who influenced much of the sound of Los Angeles-dominated pop rock in the 1970s. Gold played on scores of records by other artists, most notably those for Linda Ronstadt, and had his own success with the U.S. Top 40 hits Lonely Boy (1977) and Thank You for Being a Friend (1978), as well as the UK Top Five hit Never Let Her Slip Away (1978). In the 1980s, he had further international chart success as one-half of Wax, a collaboration with 10cc s Graham Gouldman.
During the 1990s, Gold produced, composed, or wrote tracks for films, commercials, and television soundtracks, such as Final Frontier , the theme of the sitcom
Best Frankie Goes To Hollywood Songs: 80s Pop Masterpieces
Best Frankie Goes To Hollywood Songs: 80s Pop Masterpieces
Frankie Goes To Hollywood were the epitome of 80s excess, the singular sound of a band trying to push the sound of pop music into the future.
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From the moment their first single “Relax” was banned by the BBC for its explicit sexual content,
Frankie Goes To Hollywood became the biggest music stars in Britain. And while the group’s fame proved to be fleeting, they left behind a run of groundbreaking songs that are among the most creative, provocative, and successful of the 1980s.