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With their most successful album turning 50, the Carpenters turn out to be more than just soft-rock siblings

R ichard and Karen Carpenter sit by the ocean, dressed in dinner-party duds and beaming directly into the camera lens, which is pulled to the softest possible focus. The photo on the cover of the Carpenters 1970 album Close to You is like something you d see hanging in a Sears portrait gallery (Richard himself hated it), and that gauzy, clean-cut image dogged the duo for years. A year later, the Carpenters third LP would have nothing on its cream-colored jacket but the band s name, embossed in its now-iconic baroque font. That record, simply titled Carpenters, was released 50 years ago this week, and it cemented Karen and Richard s status as (pun intended) superstars. It remains their most successful studio record, too, selling more than 4 million copies and spawning three Top 10 singles.

The Song That Sold America to a Generation of Asian Immigrants

The Song That Sold America to a Generation of Asian Immigrants Jason Jeong © History Colorado / The Atlantic A fixture of saccharine Super Bowl commercials and orthodontists’ waiting rooms across the country, John Denver’s platinum record “Take Me Home, Country Roads” turned 50 years old last month. Kitschy, yet earnest; dated, yet eternal. In its terse descriptions of bucolic West Virginia “Life is old there, older than the trees, younger than the mountains, blowing like a breeze” the gentle folk tune can conjure nostalgia for a place you’ve never visited and a life you’ve never lived. It’s as classically American as a McDonald’s apple pie; an ode to an uncomplicated vision of the United States.

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