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Elvis Costello reimagines 1978 s This Year s Model, in Spanish, with help from Juanes, Luis Fonzi and more

Elvis Costello reimagines 1978 s This Year s Model, in Spanish, with help from Juanes, Luis Fonzi and more
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Elvis Costello Reinterprets This Year s Model As Spanish Model

Elvis Costello and longtime collaborator, 18-time Grammy and Latin Grammy award-winning producer, Sebastian Krys, have brought together a stunning international cast of some of the biggest Latin rock and pop artists from around the globe to interpret Elvis Costello and The Attractions’ album, Spanish Model. The inspired Spanish-language adaptations are set to the band’s classic studio performances, culled from the original master recordings, which have been newly mixed by Krys, revealing a new power and intensity to The Attractions’ 1978 instrumental performances. ADVERTISEMENT ADVERTISEMENT The mixes, sometimes running on, allow us to now hear “What Happened Next:” Costello and Mick Jones of The Clash lock dueling rhythm guitars in a thrilling coda to “Pump It Up” or Pete Thomas almost demolishing his drum kit at the end of “No Action.” There is even the occasional vocal cameo appearance by the bandleader, but the album can now be enjoyed in an entirely new w

Elvis Costello on Why He Remade This Year s Model Entirely in Spanish

Elvis Costello on Why He Remade ‘This Year’s Model’ Entirely in Spanish Julyssa Lopez © Paul Moore Elvis Costello doesn’t speak Spanish, but on at least one occasion, he’s dreamt in it. Back in 2018, the television writer David Simon had reached out to him about transforming “This Year’s Girl,” the prickling cut from his pivotal 1978 LP This Year’s Model, into a duet for the second season of The Deuce. The thought of reworking a classic might have unnerved a less adventurous artist, but Costello, ever the shapeshifter, was intrigued. He and his frequent collaborator, the Grammy-winning Argentinean producer Sebastian Krys, dug into the song’s original masters and added vocals by the singer Natalie Bergman alongside Costello’s. The process sparked all kinds of ideas about reinvention and reinterpretation for Costello and some nights later, he had a dream that he’d been listening to all of

Elvis Costello & Sebastian Krys Remodel The Album, This Year s Model, Into Spanish Model, A Daring, First Of Its Kind Record

Elvis Costello & Sebastian Krys Remodel The Album, This Year s Model, Into Spanish Model, A Daring, First Of Its Kind Record THE ALBUM FEATURES ONLY THE ATTRACTIONS ORIGINAL INSTRUMENTAL PERFORMANCES WITH NEWLY RECORDED VOCALS BY LATIN POP AND ROCK ARTISTS SINGING COSTELLO S LYRICS TRANSLATED AND ADAPTED INTO SPANISH 16 SONGS PRODUCED BY MULTIPLE GRAMMY AND LATIN GRAMMY AWARD-WINNING PRODUCER SEBASTIAN KRYS, FROM AN ORIGINAL IDEA BY ELVIS COSTELLO FIRST SINGLE UNVEILED TODAY IS JUANES PERFORMING PUMP IT UP THE ALBUM STARS: CAMI, DRACO ROSA, FITO PÁEZ, FRANCISCA VALENZUELA Y LUIS HUMBERTO NAVEJAS, GIAN MARCO Y NICOLE ZIGNAGO, JESSE & JOY, JORGE DREXLER, JUANES, LA MARISOUL, LUIS FONSI, MORAT, NINA DIAZ, PABLO LÓPEZ, RAQUEL SOFÍA Y FUEGO, SEBASTIÁN YATRA and VEGA

Elvis Costello Unveils Spanish Adaptation of This Year s Model

Rolling Stone Elvis Costello on Why He Remade ‘This Year’s Model’ Entirely in Spanish Costello, Juanes, and producer Sebastian Krys talk about the all-star Spanish Model project Paul Moore Elvis Costello doesn’t speak Spanish, but on at least one occasion, he’s dreamt in it. Back in 2018, the television writer David Simon had reached out to him about transforming “This Year’s Girl,” the prickling cut from his pivotal 1978 LP This Year’s Model, into a duet for the second season of The Deuce. The thought of reworking a classic might have unnerved a less adventurous artist, but Costello, ever the shapeshifter, was intrigued. He and his frequent collaborator, the Grammy-winning Argentinean producer Sebastian Krys, dug into the song’s original masters and added vocals by the singer Natalie Bergman alongside Costello’s. The process sparked all kinds of ideas about reinvention and reinterpretation for Costello and some nights later, he ha

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