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Art review: Geometry and gestures make up the abstract art of Jaap Helder
Fifteen works by the midcoast painter are on display at Elizabeth Moss Galleries in Falmouth.
By Jorge S. Arango
Photo by Craig Becker
Looking at the paintings in “Jaap Eduard Helder: New Visions, New Rhythms,” currently hanging at Elizabeth Moss Galleries in Falmouth (through April 10), I kept thinking about the way the vocabulary of abstraction continues to evolve. Specifically, what interested me was the function of gesture in abstraction, rather than the cooler geometric form of abstraction or the fluid, often dreamy qualities of color-field painting.
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DamariscottaMaineUnited-statesCopenhagenKøavnDenmarkNetherlandsIsraelFalmouthIrelandBrusselsBruxelles-capitaleSkowhegan-trained painter Hunt Slonem shows what he’s been up to since college
The New York artist says his schooling in Maine was critical to his career.
Courtesy of Moss Galleries
Hunt Slonem’s interesting life might not have turned out so interesting had he not come to Maine between his junior and senior years at Tulane University in the summer of 1972. He came north to attend the Skowhegan School of Painting and Sculpture, because two women in his class attended the year before and talked it up on campus back in Louisiana.
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WHERE: Elizabeth Moss Galleries, 251 Route 1, Falmouth
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